Those of you who know me in SL know I’m not shy, so I’m willing to go public with my list of picks for the top 30. (I waited until the vote was closed to post this to avoid influencing the other voters.) I chose to vote for only one work from each artist, not counting collaborative works (so Ichibot is represented three times, and Arahan and Selavy twice) to do my part to create as broadly representative a retrospective as possible. There were a few others that were hard to leave off my list; paring it down to 20 wasn’t easy! Here goes (in alphabetical order by first name, in the usual SL way):
Alizarin Goldflake: Summer’s Halloween
Ally Aeon: Virtual Formalism
Arahan Claveau: fuck me / shoot me
Bryn Oh: Drawing Out The Shiver
CickMy Lunt: luntsberg candy castle
DanCoyote Antonelli: Negative Space
Dekka Raymaker: 8 Platforms
Gore Suntzu: 1000 Suns
Ichibot Nishi: episodic.atomized
Ichibot Nishi and Arahan Claveau: Beyond Human
Ichibot Nishi and Selavy Oh: Playground Space
Klink Epsilon: Vermilion: Betrayal, Anger and Sorrow
Nebulosus Severine: I’m Sorry Dad
Patriciaanne Daviau: Lilliton
Rachel Breaker: MAGICENCHANTED DREAM FACTORYNOBASE
Selavy Oh: Spiral
Shellina Winkler: The Big Bang
Sunn Thunders: Boundary Conditions
Tanith Cattaneo: Untitled Protest
Tuna Oddfellow: Gateway
After I made my choices I had a look at the results of the public vote, and had another look this afternoon. I’m guessing that the results of the public and podcaster votes are going to be VERY different. The public vote mostly favored the “prettiest” works; the fact that some of the voters were probably basing their choices on the blog posts and images rather than on personal experience with the works is probably a big factor, as those are the ones that tend to look best in static photos. In contrast, the favorites in the podcasts I participated in were ones that explored the interactive and kinetic potential of Second Life, the most emotionally powerful works, and the ones that were commentary on the nature of art itself; the art in those categories is hard to capture in one or even a series of photos.








Here’s my list. I had less than 20, because I stopped going to the sim regularly back last fall and I didn’t feel comfortable voting on stuff I hadn’t seen “in person” (ok whatever):
Nebulosus Severine, I’m sorry dad
Nebulosus Severine, Look what you made me do
010000100111001001100001 OMLET, Tiny Stonehenge
Selavy Oh, Forbidden Space
Bryn Oh, Drawing out the shiver
Dekka Raymaker, Alpha killed my one prim door
Juria Yoshikawa, Alien invasion of biw tower
Ichibot Nishi, episodic.atomized
Censoredmy Lunt, Luntsberg candy castle
Qarl Fizz, Number 4
Arahan Claveau, Injustice
DanCoyote Antonelli, Tower of light
Ichibot Nishi & Arahan Claveau, Beyond Human
I originally had Arahan’s “fuck me/shoot me” on the list, but I took it off since I had nominated him for two other pieces (one of them is with Ichi) and it just sort of seemed like to be fair, I should nix one of them… since I know it from its installation at Arthole and not at BiW, it got cut from my list.
It was most important to me that the artists from my list be represented, not so much the particular pieces – like I don’t care so much *which* piece by Selavy was chosen, so long as one of them was.
I also got a little strategic in my voting, which I now regret. I’ve been on panels like this a million times before and the good advice is usually – just vote for the work you like. But I ignored this, and instead tried (in a few cases) to vote for work I thought would be a little off the beaten path and maybe not that well represented by the other judges – in the end, I’m not sure that this was really the most intellectually honest thing to do, but I felt so damn sure of it when I was voting.
I also voted in a few cases – like the emotionally charged “Look what you made me do,” and the funny/aggressive “Forbidden space” (there are also others) – for work that I thought would be really provocative to have the audience at JTPP reconsider in the light of it being one of the 30 best of alllll these art works. Both of those works in particular function in a way in which it’s not possible for art to really function in a place like JTPP – in Neb’s case because of the stigma against work like that, and in Selavy’s because of… well, law suits, gravity, etc. So I’m kinda bummed that they didn’t make it into the top 30, but so it goes.
Left by Amy Freelunch on July 5th, 2009