I’m actually reviewing two large new pieces here: episodic.ichicon.megabot.01 by Ichibot Nishi, and International Love Machine by Juria Yoshikawa. However, the two have been placed so closely (the ichibots are actually partly INSIDE the Love Machine) that it is impossible to view either in isolation, so I will look at them together as well as separately.

Juria loves big dynamic works, and this one is no exception. ILM is a riot of swirling pastel, partially transparent colors; the bright cheerful colors give it a much different feel than Juria’s recent pieces. (Correction here: this originally continued “that surrounded the BiW tower”, but it was Andres Watanabe that built the tower wraps. My comment about the cheerfulness of the current installation stands.) Some of the shapes are sculpted prims, and I experienced rez delays the first time I viewed it; if the big prims just look like uninteresting spheres and cylinders, be patient. I recommend trying different times of day.

Ichibot’s megabots are a whimsical take on robots; their blocky shape reminded me of Spongebob Squarepants, and the acrobatic balancing of the robots seems totally at odds with their solid looking and presumably massive bodies. Pink bodies, green glowing eyes, and teeth that reminded me of computer keys add to the unlikely nature of the megabots.

Together, I felt that the playful nature of the two works reinforced each other; I really enjoyed seeing the megabots against the backdrop of the Love Machine. Perhaps the lesson here is that all you need is Love, even if you’re a robot.

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5 Responses to “episodic.ichicon.megabot.01 by Ichibot Nishi - and International Love Machine by Juria Yoshikawa”

A psychedelic, collaborative effort of monolithic proportions.

Thanks Shirley and Arahan! This little ditty was just pure joy from start to finish. My part of the piece was actually called “Cranial Probe Motif” but your naming of it was quite nice. It was a form of one-ups-man-ship collaboration with Ichibot that I haven’t enjoyed for a while. Actually the last time was with the same little guy under the island you may remember. Here’s a series of photos and a brief explanation of how this latest happened… http://www.flickr.com/photos/lancesh/sets/72157605654929397/

OH DEAR GOD.
++ juriajuriajuria

When I examined your work, Juria, the large prims had generic megaprim names. (They still have those generic names as I write this.) The only thing I found of yours with a title was a nearby ILM logo, and so I assumed that it had been placed to title the larger work, especially as the name fit the way it made me feel.

When I viewed the two works by you and Ichibot, I wasn’t aware that the collaboration was intentional; thank you for that insight. What WAS clear was that there was no way for me to look at one or the other in isolation; the juxtaposition required seeing them as a collaboration, whether or not it had been the intent.

When I write about works at BiW, I first look for a nearby information plaque. If none is present, I look at the name of the object itself. If the object’s name is unenlightening (it’s called “Object” or a name that just describes the size and/or location of the prim), I list the work as “untitled” and include a bit of description, as I did for Tuna Oddfellow’s piece a couple of weeks back.

the program tricked you shirley, happens all the time to me too. the sign was part of an attempt to obscure these black boxes into a corporate fascist build… alas their one-week display ended.

granted juria always has rather bizarre titles.

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